Revisiting Stella Dallas from a cognitive theory of film
4.6 (275) · $ 22.00 · In stock
Different approaches address melodrama from different perspectives and usually focus on different aspects of a melodramatic production. Most of the approaches rely heavily on theories in ways of understanding melodrama. A cognitive theory of film focuses on the way audiences in general perceive a film. Staying within the framework of a cognitive theory of film, I have analyzed audience’s comments on Stella Dallas (1937) found at customer’s review. The analysis is supported by a close reading of the last sequence of the film.
This page intentionally left blank
The Film Experience: An Introduction [Third Edition] 9780312681708
Humanities Harrovian - Issue Two by Harrow International School
From Saviors to Angels of Death: Apocalyptic Westerns – Offscreen
Revisiting Stella Dallas from a cognitive theory of film
Stella Dallas (1925) directed by Henry King • Reviews, film + cast
PDF) Revisiting Stella Dallas from a cognitive theory of film perspective
PDF) Information, reception and film: A reader-response analysis of Rashomon
Issue Archive – Offscreen
Biennale Cinema 2022 Pre-opening night (Tuesday 30 August) with
PDF) Melodrama and film noir on today's big screen: How modern audiences experience yesterday's classics
Steers, Queers and Pioneers: Barbara Stanwyck's 1950s Westerns, Part 1: Anthony Mann's The Furies – Offscreen
